media arts festivals
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In March this year with ANAT’s assistance I travelled to China for the first Dashanzi International Art Festival in Beijing. Initially the invitation to the festival was to show my work Close in the Transborder Language 2004 – Volume Control component of the festival. With ANAT’s support I extended the scope of the trip to include preliminary research for a sound art project in China. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia.
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First stop is Linz and Ars Electronica 2007. One minute I’m having lunch with a group of festival attendees, the next I’m in a taxi rushing back to my hostel, all the while attempting to explain my new mission as ANAT’s international roving reporter – in my minimal German – to the somewhat bemused taxi driver. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Australia.
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The instincts of ARS Electronica Director, Gerfried Stocker, are difficult to argue with. In every era, ARS (set along the Danube in Linz, Austria) seeks to curate, interrogate, and re-deploy an idea as big as the world – in five days or less. (more…)
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 2.5 Australia.
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